VENICE 6114

Helmut Heiss & Thea Moeller
Venice 6114
Los Angeles
2016
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pic top left: Thea Moeller
pic top right: Helmut Heiss (object: masonite, drywall, wood, 200 x 100 x 75cm)
pic mid left: Helmut Heiss (arc: concrete, gas tube, 200 x 180 x 180cm)
pic mid right: Thea Moeller
pic bott: Helmut Heiss

A CONFLICT OF SITE

Helmut Heiss / Katharina Höglinger
curated and publication by Duncan Alexander Cameron Stewart
P//O//P
Toronto
2015
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„A Conflict of Site is an exhibition that investigates a multitude of sites for viewing art and how these sites participate in not only the consumption of the work, but in the production of work as well.“

Duncan Alexander Cameron Stewart

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LIVING AND WORKING

gruppe uno wien (with Albert Allgaier, Helmut Heiss, Seth Weiner)
mini-residency at LTMKS project space Malonioji 6
Vilnius, Lithuania
2015
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„Living and working“ is an attempt to explore the idea of the artist-in-residency beyond its institutional framework. What does it actually mean to be a resident as an artist? The phrase „living and working“ is a cultural symbol of power in every artist’s curriculum vitae, but the question of how a place actually influences artistic practice beyond the reproduction of cultural tropes often remains unanswered. With „living and working“ the artists of gruppe uno wien (Albert Allgaier, Helmut Heiss, Seth Weiner) intend to explore the influence of the surroundings on artistic production while at the same time re-evaluating the act of being present. They will be joined in their explorations by four local artists Vsevolod Kovalevskij, Žilvinas Landzbergas, Lina Rukevičiūtė and Lina Zaveckytė who will contribute throughout the project on their own experience of Malonioji 6.

The structure of Malonioji 6 will act as an ideal place for their fieldwork: a traditional house that works as an exhibition space, with a garden as a membrane to the public. It juxtaposes the idea of the classical white cube, making it a well-suited site to go beyond the dichotomy of living and working. As part of daily life and artistic practice, interaction with the community becomes a method to incorporate the structure of the residency itself into our practice.

Text: Malonioji 6